About Don
Don was born in Wilmington, Delaware and raised in Northern California where he, along with his family, became members of the Seventh-day Adventist church, receiving his early education from its denominational school system. He graduated high school at Mt. Ellis Academy, in Bozeman, Montana, and received his BA in commercial design from Pacific Union College in Napa Valley, California.
His formative professional experiences include hospital administration, public relations, and commercial design, as it related to the field of medicine. In 1997 Don was the co-founder of a Portland based digital design and programming development company that specialized in CDR-based products for proprietary gaming platforms and desktop computers. Other career moves included becoming a General Manager for a Phoenix based construction company, specializing in custom residential homes and small gated communities.
Influenced by friends and a desire to serve his community, Don also entered law enforcement, graduated police academy, and became a reserve deputy for the Maricopa Sheriff’s Office.
Though careers varied, Don faithfully maintained his passion to express the world he sees through art, whether it be in pencil, oil, or digital creations.
In his own words, “I have always had a special appreciation for the human form. Even in its current fallen state, it is truly a miraculous machine to behold. The realization that it mirrors the very Creator himself is even greater testament to a sense of absolute engineering perfection coupled with a boundless love and devotion to beauty and detail.”
An avid reader, Don particularly enjoys subjects dealing with scientific discovery and ancient history. He is especially drawn to geological advancements and the astonishing cosmological discoveries which have successfully unraveled some of the deepest mysteries surrounding the formation of Earth, the cosmos, and the complex dimensions of time itself.
Don’s passion to express himself through art started when he was very young, and continues to this day. He is exploring new expressions and new media — new ways to share his inspiration.
You might also enjoy visiting his other websites:
ART
Watch the Story of Sara’s Landing
Carmel Sea Trilogy
My earliest interest in painting began as I watched my mother work with oils. I was also influenced by another artist; however, I would not know who this individual was until years after our chance encounter.
My parents loved the ocean and we frequented many camping spots on weekends and holidays. Our favorite campsite was located near a small secluded spot called Laguna Beach. This was long before it was to become the now famous art mecca, crowded by cliff-side mansions, pottery shops, art studios, and retail outlets. Local beaches were devoid of any signs of civilization, save for the sleepy little town of Laguna, who’s only memorable attraction was a camera shy, individual called ‘The Laguna Greeter.’
One day, as I was hiking along the beach cliffs, I spied a painter sitting at his easel, working on a seascape. I was fascinated by his painting style and I watched as he quickly sketched out a scene on the canvas with shades of grey oil paint. I was amazed when he began adding layers of color and without realizing it, had moved in closer until I was only a few feet away.
Suddenly he turned, and with a warm smile, asked me if I was a painter? I was startled and blurted out the first words that popped into my 9-year old head. “No, I said, but my mother is!” After a long pause he turned, gave me a wink, and said softly, “Well, I think you’re a painter too, but you just don’t know it yet.
Years later I was re-visiting boyhood sights and returned to the city of Laguna Niguel. I paused at one of the many galleries specializing in local art talent and noticed several featured works by a prominent artist named Robert Wood. A moment later I spied a photo of this artist and was stunned…this was the very same gentleman, who without knowing it, had inspired me with a lifelong passion for painting seascapes!
Visit the Robert Wood website:
Evolution of a Ship Trilogy
The first time I saw the Peter Iredale was in 1972. Even though all that remained was a rusted-out forward section, I wondered what she might have looked like before running aground. I even tried to picture her as a sleek windjammer, sailing the high seas during the zenith of her career.
Later I learned the beached wreck was an extremely popular tourist destination in the early 1900’s. That fact inspired me to paint her as she might have appeared before the grounding incident. Unfortunately, it was years before the introduction of computers or the Internet, so this made research a somewhat daunting task. For this reason, the idea was pushed aside…but never forgotten.
Peter Iredale as seen today
Unfortunately, Cooper’s paintings featured fully loaded commercial ships on the high seas, so there was no below the waterline color detail. But as luck would have it, I had previously identified a rust-red coating commonly used, at this time, to protect ship bottoms from barnacle growth. I was now confident I could proceed with the project with a degree of accuracy. I was unable to find a Cooper painting that featured the Peter Iredale, but I did discover two of his paintings were of merchant ships, constructed by the same company who built and owned the Peter Iredale.
For more historical information visit:
Peter Iredale in Seattle Bay, 1900
Evolution of a Mountain Trilogy
Most of us can recall landmark events such as the assassination of a president, or multiple space shuttle disasters, but the one that stands out most vividly in my mind is the eruption of mount St. Helens.
I was driving towards downtown Portland and my route took me over the Fremont bridge. The bridge exit off the I-5 freeway is a long ramp which gradually merges onto the top deck of its south-bound lanes. It was about 8:45 on a Sunday morning and as I approached the top of the ramp, I saw several drivers pulling off to the side, stepping out, and staring backwards. Naturally, I followed suit.
Before the Eruption — St Helens and Spirit Lake
I will never forget the initial shock that rippled through my body as my eyes became transfixed on a gigantic column of ash rising from the now flattened summit of mount St Helens! To say this column was massive would not adequately describe the scale of its immensity. Though the mountain was 52 miles from Portland, it felt as though I was less than 300 yards away. I was high up on a bridge, so my view was completely unobstructed as I watched ash and rock spew out and rise upwards with indescribable convulsions of energy and speed.
During the Eruption — May 18, 1980
The billowing column resembled giant clumps of black cauliflower, constantly morphing into evil contorted shapes as it relentlessly clawed for altitude. Massive lightning bolts shot out vertically from the column, attesting to the intense heat and volume of debris being sent into the cold upper layers of the atmosphere. It was nature’s version of a Holocaust.
At this time there were well over 100 individuals standing on the bridge, but no one said a word. We were all overwhelmed by the same feeling of utter hopelessness and impending doom communicated through the sheer immensity of the ash column. Those feelings were suddenly verbalized when someone quietly asked which way the wind was blowing. A chilling realization instantly crystalized in our collective thoughts…this could be a modern-day Pompei!
After the Eruption — New Dome and New Growth
I later learned the lateral eruption of St Helens spewed over a cubic mile of volcanic debris for 65 miles, burying cities as far away as Spokane, Washington in drifts of ash. Had the blast, and subsequent 300-miles per hour pyroclastic flows, occurred on the South side of the mountain, Portland could have been buried in over 20 feet of super-heated ash, potentially wiping out most of its 350,00 inhabitants in the process.
Medical Illustration Project
In 1985 doctors Rush, Wells, and Manley, of Northwest Orthopedics Group partnered with Hexcel Medical to assist with the development and testing of a new carbon fiber filament suture intended for the repair of sports related injuries. I was commissioned to observe surgical procedures and develop a series of medical illustrations that depicted the suture as it was incorporated in various operations.
Design Graphics
Earlier Artwork
Don’s passion to express himself through art started when he was very young, and continues to this day. He is exploring new expressions and new media — exploring new ways to share his inspiration.
You might also enjoy visiting:
ARTICLES
A Perfect Gift For God
“For by grace you have been saved through faith and this not of your own doing;
it is the gift of God – not the result of works, so that no one may boast.” Ephesians 2: 8-9
Perhaps we could offer our love, respect, and reverence, as heart-felt gifts. But again, these are also rooted in subliminal expressions of thoughts and actions, which spring out of mental aptitudes and physical talents, gifted to each individual, by God. Thus again, these must also be considered works.
However, there is one gift, part of the standard package given to us, which deserves a closer look. This particular gift is not specific to individual talent, but instead is bestowed to a collective humanity. That unique gift is the Word of God. Most Christians today, identify the Bible as the primary well-spring for God’s Word.
Of course, non-believers consider the Bible to be a collection of short stories, written by fringe authors, who were insanely fanatical about mystic rituals and dream quests. These writers envisioned ancient heroes who possessed magical spells and experienced off-world visitations. In short, non-believers claim the Bible cannot be taken seriously because it is, after all, a collection of archaic stories and legends, similar to those found in modern-day comic books.
The Bible is made up of 66 different books, which were written over 1600 years, by more than 40 kings, prophets, leaders, and followers of Jesus. The Old Testament contains 39 books, written approximately 1500 BC – 400 BC. The New Testament features 27 books, written between 45 AD – 100 AD.
The number of original manuscripts one can reference when addressing Biblical and/or secular content accuracy is critical. This is especially true with respect to academic research and documentation…the more copies, the better. As an example, major secular works such as Tacitus’, “Annals of History”: 20 original manuscripts, or Homer’s “Iliad”: 643 original manuscripts, pales in comparison to New Testament original manuscripts, represented by 5,000 Greek; 10,000 Latin; and 10,000 in other languages.
The date of the original manuscript, with respect to the date of the actual event, is equally important. The less of a gap between the date of the event, and the date of the manuscript, the better. As an example, Homer described the siege of Troy in 900 BC, but the earliest manuscript discovered is dated 400 BC, which presents a gap of 500 years. In contrast most New Testament transcripts were completed between 45 AD – 96 AD, indicating an average gap of about 75 years after the actual events. In the case of John’s gospel, a manuscript dated 85 AD, reveals a gap of only 35 years after his recorded events. This is especially important because John was an actual eye witness to the events he recorded.
Before printing presses were invented, the Bible was copied by hand. It was duplicated very carefully, in many cases, by special scribes who developed complex methods of counting letters and words to ensure no errors were made. The discovery of the Dead Sea Scrolls confirmed this astonishing accuracy in copies transcribed from these much earlier transcripts. It is also interesting to note that in 1455, the first book mass printed on Gutenberg’s press was the Bible.
If the Bible were nothing more than a historical recitation of human events, then we must conclude that it certainly reflects a super-human effort to preserve such a record for posterity. Then again, one could also conclude that this represents quite an illustrious and dedicated effort for the preservation of a ‘comic book,’ or so it would seem.
However, when we actually focus and read ‘God’s Word,’ it seems to miraculously transform itself into something alive and revolutionary. Like the overpowering excitement that spontaneously springs from the discovery of a secret blue print, ingeniously crafted to guide the reader towards the reinstitution of a lost relationship between the Creator and the created. A priceless pearl combining both wisdom and simplicity in its celebration of life.
Lucifer claimed that if we took a bite of the ‘apple,’ we would understand (know) both good and evil, which would then make us equal with our Creator. We severed our relationship with our Creator when we bought into this deception. But it is important to note that this was a deceptive truth, not a lie. We would, most definitely come to understand evil, but the lie Lucifer so cleverly shielded, was how this added knowledge would wreak total havoc on human populations. In this case, the devil was literally in the details, and shame on us for not paying more attention to the small print!
Of course the challenge, which even Lucifer was ignorant to realize, was that God created man in His image. This means we were originally created with the ability to only ‘know good.’ But God also wanted us to possess free will, so He accomplished this by planting a ‘tree of the knowledge of good and evil,’ in a prominent place, in the Garden. He then warned Adam and Eve to stay away from that tree. If they chose to disobey that warning…well, “they would surely die.”
We all know how the rest of the story goes; Satan challenged God, claiming a dormant tree sitting all alone by itself was too passive. So he proposed to give the tree a voice; that is, someone who would verbalize the choice to disobey God’s warning and stay away from this tree. Unfortunately, the rest is history.
As humans began to experience sin, we discovered, to our utter shock and horror, the pervasiveness of evil. Now, as history continues to unfold in our modern world, we are witnessing yet another cruel reality. There is a growing majority of souls who are foolishly and unwittingly embracing a humanist boot strapping movement, which is personified by personal independence and self-reliant works. Unfortunately this regimen of self-improvement can only be coined as the height of hubris, because it dooms all who rely on it to an eternal death. Why, you ask? Well it’s because, in our Creator’s eye, self-dependent humanist doctrines are just another type of your average garden variety works.
But it’s not all doom and gloom because it appears God has a plan to reverse this doomed yet popular trend. And thankfully, this plan is studiously recorded in ‘His Word’:
“In the beginning was the Word, and the Word was with God, and the Word was God.
He was in the beginning with God. All things were made through him,
and without him was not anything made that was made.” John 1: 1-3
In other words, if our Creator used ‘His Word’ to create perfect order for earth and all living things, then that same Word must be designed to hold that order in place. The sin, which was introduced and is now resident in our world, is a continual force that is contrary to that order. Therefore, His order remains preserved in two ways:
Four Horsemen of the Apocalypse
The Real Exodus
The Real Mount Sinai
Prophesy Overview Graphic
Prophetic Last Day Events
Prophetic Empires of Daniel 2
Prophetic Vision of Daniel 7
Prophetic Vision of Daniel 8
Identical Beasts
Mystery Babylon
Last Day Battle or Battles?
EXPERIENCES
Why I Am No Longer a
Seventh-day Adventist
A Chain of Unexplainable Coincidences
Multiple cruisers arriving in front of our suspect house. Imagine our relief when out pops “corn rows” in cuffs!
Contact Don
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